I am extremely proud and happy to return to this year’s Invitational Summer Institute at the University of Wisconsin-Milwaukee affiliate of the National Writing Project. Three years ago, I participated as a teacher consultant. This year, I’m serving as a facilitator. I’m excited to get a second go-round at this transformational, career-changing piece of professional development, this time as a guide and coach for other educators who are having their very first Writing Project experience.
The point of the Writing Project ISI is to develop teachers as researchers, experts on the teaching of writing, and as writers themselves. When I participated in 2010, the latter was the aspect of the experience that rejuvenated my soul. Having the time, the space, and the reason to write creatively brought me back, mentally, to why I first had the idea to become an English teacher–writing sustains me. Something about making thoughts permanent, making words into art, and giving strength and structure to my imagination makes writing one of the most fulfilling things in my life. For me, becoming a storyteller was always the most thrilling part of being an English student; and being in charge of the training of young storytellers, poets, and philosophers was what I had in mind when I applied to the School of Education in my undergrad years. Creating fiction, in my opinion, is a vital task for the development of creative thinking in students.
Even though I’m a facilitator this summer, I’m still going to be conducting new research of my own, and creating a new Teacher Inquiry Workshop to demonstrate my findings as they are applicable to the classroom. And I’ve decided to let my strong feelings about the importance of creative writing guide my study. Since Wisconsin adopted the Common Core State Standards, it seems that less and less space is being afforded for the literary arts while argumentative, informative, and research writing take center stage. In fact, nowhere in the Common Core State Standards for high school language arts does it overtly require a high school student to write a single poem, play, or story during any of the four years. It seems to suggest that creative writing is superfluous fluff. Personally, I feel that this view is a disservice to the minds and hearts of our students, who need experience in creating something altogether new in order to know how to envision solutions to problems. More than that, they deserve a chance to tell stories, let their voices off a tether, and explore the power of their own generative imaginations.
I believe that the teaching of creative writing in high school is crucial to the development of young writers. And I want to prove that teachers can address the writing standards–even as overtly geared toward non-fiction as they are–through the teaching of creative writing.
The following are my working inquiry questions:
1. How can the teaching of creative writing (such as poetry, fictitious prose, and drama) be used to directly address and fulfill the Common Core State Standards for Writing in the high school classroom?
2. What are the benefits of teaching creative writing–as far as student motivation, learning outcomes, marketability, and critical thinking–that cannot be addressed by non-fiction writing alone?
As the summer goes on, I’ll be posting more about what I discover, in an effort to provide other educators with the justification that they need to keep creative writing alive in the classroom. Also, in an effort to practice what I preach, I’ve started an online collection of some of my own creative writing, which I hope to add to throughout the summer.
SAVE CREATIVE WRITING IN OUR SCHOOLS! Comment below or “like” the Universe as Text Facebook page to join the conversation.